Tom Jenkins - Interaction Design, Product Design, Design Research
Royal College of Art
June 2005
The photographic image is central to modern tourism. The experience of the tourist is bound to the activity of photography, so much so that holidays are in many ways lived and relived through the activity of taking photos. This is exaggerated further by the rising popularity of digital photography, with tourists posing for a photo and enjoying the immediate feedback of the camera’s onscreen preview.
Tourist Information distorts tourists’ expectations of London sights by re-appropriating digital cameras as windows into invisible imagery. Evolving from a series of live trials, the final project takes a form quickly associated with tourism, the traditional seaside painted figure with a cut out space filled by posing faces. Instead of paint, the figure is drawn in a series of visible lights. A second surprising and provocative image is overlaid onto it in infrared, only revealed by digital cameras.